The University of Peshawar has officially announced its winter vacation schedule for the 2025–26 academic session. According to the notification, the university will remain closed from December 22, 2025, to January 3, 2026. During this period, all academic and administrative offices will be closed. However, the university has emphasized that all scheduled exams and tests will continue as planned, and students are advised to follow the existing academic timetable. University authorities stated that the winter break is part of the seasonal academic calendar and aims to give students and staff adequate time to rest and prepare for the upcoming term. Regular classes and administrative operations will resume on January 3, 2026.
In the realm of fashion, where creativity often meets controversy, Zara, the Spanish retail giant, finds itself under intense scrutiny for its latest campaign titled “The Jacket.” The images, part of Zara’s Atelier series, depict model Kristen McMenamy alongside a mannequin draped in white fabric, resembling the shrouded victims of conflict. Other mannequins, amidst the rubble, are portrayed with missing limbs, amplifying the backdrop’s resemblance to scenes of destruction.
Social media erupted with backlash, accusing Zara of insensitivity and using tragedy as a fashion backdrop. Notably, a piece of plasterboard in the background was pointed out for its alleged resemblance to an upside-down map of Palestine. Entrepreneur and designer Samira Atash led calls for a Zara boycott, emphasizing the need to reject the use of death and destruction in fashion.
Despite claims that the campaign is a “limited edition collection celebrating craftsmanship and artistic expression,” consumers and artists alike are questioning the ethical boundaries of such creative endeavors. Palestinian artist Hazem Harb took to Instagram, declaring, “Using death and destruction as a backdrop for fashion is beyond sinister. It’s complicity and should outrage us as consumers; boycott Zara.”
As the campaign images went viral, Zara responded by deleting the controversial picture from its social media platforms. However, the company has yet to issue a statement addressing the concerns raised by the public. This incident is not the first time Zara has faced calls for a boycott; in a previous controversy, head designer Vanessa Perilman faced backlash for making derogatory and Islamophobic comments about Palestine during a conversation exposed on social media.
The question that resonates now is whether the fashion industry, in its pursuit of artistic expression, risks crossing ethical boundaries. Does Zara’s Atelier series truly celebrate craftsmanship, or does it exploit sensitive geopolitical issues for commercial gain? As consumers grapple with these questions, the controversy raises broader discussions about the responsibility of fashion brands in navigating the fine line between creativity and ethical considerations.
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