Zimbabwe delivered a masterclass in Group B of the ICC Men’s T20 World Cup 2026, toppling hosts Sri Lanka by 6 wickets in a nail-biting chase at Colombo. Chasing a target of 174, the Chevrons showcased depth across batting and bowling, with Brian Bennett’s explosive 70 off 49 balls and captain Sikandar Raza’s unbeaten 62 steering them home with 5 balls to spare. Sri Lanka posted 173/6 thanks to half-centuries from Pathum Nissanka (60) and Kusal Mendis (52), but Zimbabwe’s bowlers led by Blessing Muzarabani’s 3/25 kept things tight. This win propelled Zimbabwe to the top of Group B, boosting their Super 8s hopes. Relive the action in the ICC’s official match highlights video . Key Performances and Turning Points Bennett’s aggressive knock, featuring 5 sixes and 6 fours, set the tone after early wickets, while Raza’s composed finish under pressure sealed the deal amid a roaring Colombo crowd. Muzarabani’s death-over yorkers restricted Sri Lanka, who lost momentum after a strong p...
In the realm of fashion, where creativity often meets controversy, Zara, the Spanish retail giant, finds itself under intense scrutiny for its latest campaign titled “The Jacket.” The images, part of Zara’s Atelier series, depict model Kristen McMenamy alongside a mannequin draped in white fabric, resembling the shrouded victims of conflict. Other mannequins, amidst the rubble, are portrayed with missing limbs, amplifying the backdrop’s resemblance to scenes of destruction.
Social media erupted with backlash, accusing Zara of insensitivity and using tragedy as a fashion backdrop. Notably, a piece of plasterboard in the background was pointed out for its alleged resemblance to an upside-down map of Palestine. Entrepreneur and designer Samira Atash led calls for a Zara boycott, emphasizing the need to reject the use of death and destruction in fashion.
Despite claims that the campaign is a “limited edition collection celebrating craftsmanship and artistic expression,” consumers and artists alike are questioning the ethical boundaries of such creative endeavors. Palestinian artist Hazem Harb took to Instagram, declaring, “Using death and destruction as a backdrop for fashion is beyond sinister. It’s complicity and should outrage us as consumers; boycott Zara.”
As the campaign images went viral, Zara responded by deleting the controversial picture from its social media platforms. However, the company has yet to issue a statement addressing the concerns raised by the public. This incident is not the first time Zara has faced calls for a boycott; in a previous controversy, head designer Vanessa Perilman faced backlash for making derogatory and Islamophobic comments about Palestine during a conversation exposed on social media.
The question that resonates now is whether the fashion industry, in its pursuit of artistic expression, risks crossing ethical boundaries. Does Zara’s Atelier series truly celebrate craftsmanship, or does it exploit sensitive geopolitical issues for commercial gain? As consumers grapple with these questions, the controversy raises broader discussions about the responsibility of fashion brands in navigating the fine line between creativity and ethical considerations.
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